Challenge 30

Challenge #30 - Friday, February 27 , 2009
Hostess - A. Carole Grant

Color Concept: Split-Complementary.

The Split complementary is slightly different than complementary. It's more sophisticated and less intense than a straight complementary color scheme. It's one color with the two colors on either side of its opposite/complement. Like Red with the two colors on each side of the complement Green, so Yellow-green and Blue-green. A couple of favorites are Yellow, Blue-Violet and Red-Violet, and also Red-Violet with Yellow and Green. Use your color wheel to find yours!
<http://www.colorfaq.com/color_relationships.htm>
http://www.colorfaq.com/color_relationships.htm
<http://www.creationartist.com/2008/10/old-paintings/>
http://www.creationartist.com/2008/10/old-paintings/

Try using shades and tints of your color combination as well. http://www.worqx.com/color/shade_tint.htm
http://www.worqx.com/color/shade_tint.htm

Composition Concept: The S- curve

<http://generalarts.art-dictionary.org/Art-Glossary/> Art Glossary: Any serpentine line in art. The phrase often refers to the shape formed byfigures in gothic sculpture, with their hips thrust forward or to one side.

"S is the famous old eye-control lead-in where the river meanders, the pathwinds, the road disappears. " Quote from Robert Genn newsletter

http://photographycourse.net/images/Scurvea.jpg
http://www.raggedclothcafe.com/2008/02/21/hogarths-line-of-beauty
http://search.pbase.com/search?q=s+curve
<http://search.pbase.com/search?q=s+curve&begin=10
http://www.artincanada.com/arttalk/composition.html
"Line: The line or direction the viewer's eye takes to go through the picture. The objects or forms within the picture should lead the eye to the focal point. When art is viewed, most people will begin in the bottom left corner, and continue through the picture to the right. A good composition will not allow the viewer to keep going right, all the way off the page. The viewer should be lead back into the painting in a flowing motion." (use the S curve to bring the eye back into the picture)

Shattered Past/A New Beginning " Second post"

My analogous colors were of the yellow, orange, green group. And the movement I guess is obvious.. sorry I didn't post this originally.. my original post is below. I guess I got a bit too personal. Next time I won't be so emotional.

I didn't think I would have the time to do this challenge. I was going through some problems with my mom's health, my brother went into alcohol rehab for a month right after this challenge was announced. I felt as though my brain was going to burst. I layed in bed feeling sorry for myself when I decided to jump up and take on this challenge. I wanted to show how I felt.. Everything inside me was exploding out and shattering. I decided to dedicate this quilt to my brother. He has had a hard life. His addiction has just consumed him. But, with the help from his rehab, counselors, friends, family and God I am sure he will be starting a New Beginning. Sorry this is so late.. Better late than never I guess... Laura Krasinski

Pat Harvey's Challenge 29 reworked

I have changed my original challenge by using some of the suggestions from all of you wonderful artists. First I added blue net oveer the red background then quilted it a lot more. Then I outlined the birds within the bird so as to better see the tesselation. I am happy with the results. What do you think?

Pat Havey

Catch A Falling Star 2

original design and flipped design which a few like better

I thought I posted this last night. However, it is not here. Now I'm wondering where I did post. LOL. Please let me know if you see it somewhere it doesn't belong.
I'm happy with this little quilt. I think it has the analogous colors, not sure about the movement. I used Lois Jarvis beautiful rust-tex fabric, velveteen, gold thread and gold beads. Basically I just enhanced her fabric. The combination of materials is very lush and rich in textural interest. It really beacons one to touch. Not sure if that is a good thing or not.
You might have noticed, I did NOT stick to my people theme. After the first try which I suffered with for 3 weeks, I decided to do something F U N!

Echeveria Forest

I have finally finished this small succulent quilt that I have been working on. It is about 8" x 10". I don’t want to name it Succulent V, because it doesn’t seem to be part of the same series as the other succulents. I have given it a working title of “Echeveria Forest”, but don’t know if the name fits. Any better suggestions for names? I have satin finished the edges instead of using a facing or a binding. If I hang it, I think I will mount it behind a mat.

Challenge 29 - Soaring

Like many of you, I didn't think I would get a challenge done this time because of other commitments. Someone gave me a piece of fabric with eagles, and the challenge seemed the perfect choice for this fabric. This is all commercial fabric (one of my goals is to use up some of my stash this year).
I seldom use orange, but the brown and orange of the eagle, and the challenge of using analogous colors made me stretch. So my colors are orange, yellow orange, red orange, yellow and brown.
I used paintsticks to add interest to the sky. In person, this looks more orange and less yellow, but this is the way my camera picked up the colors. Movement was added with the curved "wild geese" block, and the quilting . This is my first time doing this curved block, and I thank Caryl Bryer Fallert for the free pattern on her website. I plan to finish the edges with a facing rather than a binding, as I feel a binding would close the eagle in, and I want him to soar with freedom. This piece is 13 x 16 inches.
Your comments and suggestions are greatly appreciated.
LindaMac in Wyo

It is a bit late, but all in all I think I did well being only a week late with my piece for the challenge. For want of a better name I am calling this Houses, View #1. It is small only 12.5 x 9.75 inches. Background is strip pieced then cut apart and put back together. Houses were drawn free hand so they wobble a bit. Colors are green, blue green and blue in various shades, tints and tones, depending on what I had in my stash of commercial hand dyed fabric. Embellishments are the beaded rooftops and the pearl cotton bare branched trees and bushes. My theme for these challenges is structures, and the flow of these little houses across the quilt top creates rhythm with repetition.

If anyone can come up with a better name for this little guy let me know.

Kathy Walker

Flowers in Blue

17" x 18 1/2"

The idea of tension or energy suggested to me that warm/hot colors were called for, but my design didn't match my stash nor my method of working, so mid-week I switched to pulling out other fabrics and letting them tell me how to put them together. Thus, I came up with the purple/blue/green shades, and using a strong blue for the background helped in adding a cool energy. I added lines of beads in the two lighter purple sections and in the larger two blue floral parts, and a scattering of individual beads in the green part to make a further pattern contrast.

And since I was already late, I decided to get the whole piece mounted on foam core because the shape in this case is not just a container, but an integral part of the design.

This piece needs a better title, just haven't come up with one yet, suggestions and critiques welcome!

Meet Miss Double Tail

Here she is in all her glory...thoroughly enjoyed working on this one and listening to her wants. All that is left to do is to put a sparkle (highlight) in her eyes and sew the eyes on the seahorse and fish.

Late but done

Late again but done. I'm not totally pleased with it. Part of my problem is that I've vowed not to buy any more fabric but use up some of the piles that I already have on hand. Needless to say I haven't made much of a dent and of course, small projects use less.

I was ready to try the analogous theme and chose the colors of purple, blue, blue-green, green. It didn't turn out quite like I'd hoped and I think it was mostly due to the too dark background which I couldn't get to do what I'd hoped it would.

As for the rhythm/movement or tension/energy I'd have to say it's more of a static tension in that it's repetitive and retreating. Maybe next challenge I'll do better.

Jan

Fish Gotta Swim

I seem to always be in such a hurry. I spend too much time thinking about the challenges and not enough time really working at them. I wanted to show the fish moving through the water from near to far and moving in one school. Let me know what you think. I do always forget how to do these posts and then look for comments.

I really like alot of what you all have been doing. I need to contribute more but really have been busy with Quilts of Valor and community quilts plus visiting family. Sigh. I need some time to clean my chaotic studio.

Carol Tackett

Spring Solitude

This was a challenge in many ways:

1) I used blue. I like blue and have a lot of blue fabrics but never seem to pull them out. So---I used blue, blue-violet, red-violet, and red.

2) I used blocks of color---another fork in the road!

3) After appliqueing the blocks,I decided to do an overall quilting. So--to keep with my vegetation theme, I sketched a scene with trees, foliage, grass, hills, etc. These were transferred to some tear-away tracing paper and pinned onto the quilt. Worked like a charm! However, it probably took me close to six hours total to get out all the paper. But--do want to let you know that I'd do it again. I posted a picture of it partially quilted so you could see my quilting technique. The quilt is about 20" x 18".

All in all, I'm very pleased with the outcome. It is not edge finished--but will probably face it so it won't change in looks.

I used analogous colors. There is rhythm/movement in the quilting and tension/energy in the blocks.

Wonderful challenge--thanks. Sally

Breezy Day

I've finished my Challenge 29 piece Breezy Day - I'm not quite sure if it actually fits the challenge or not.

I think it's an analogous color scheme - but I'm not quite sure if it actually fits - violet to red. It kind of falls into the movement category - but not really rhythm.

Anyway I continued in my branching out series - showing a very abstract tree with the abstract leaves tumbling in the breeze. Final size is 12 x 19.

Lisa
In Sunny Cold Seattle

The Start of An Upward Journey

You'll have to forgive me for this incomplete piece. I think that my brain has been fried. It's been over 100 degrees for the last 5 days and with no airconditioning; the nights have been so hot as well.
I'm uncertain whether the colours are analagous; I'm using blue, purple and pink. As to whether it depicts any movement whatsoever, please tell me what you think.
It still needs to be bound and quilted but i'm leaving that for cooler times. At present all i seem capable of doing is lying around like a dead duck.
Anna K.

Moonlit Canyon

Moon # 5 in this series.
The January moon was as big and as close as the December one, however, it was so White, so Bright.... it was so beautiful.
So, that was my inspiration, the white of this moon was accomplished by using the stuffing that comes in my bottle of vitamins. Absolutely the right 'color' [or lack of it] and texture. I overlaid some crystal organza and used my needle felting machine to scrunch and texturize. It went from there. I have used the backside of a piece of lurex lame, a remainder of scrim from another project, snippets and stitches to depict the breezy canyon. A ton of hand stitches in floss... my I think I could be hooked, the texture and 'hand' are so unique to anything experienced by machine. The edge treatment on this one is something I have never done and dreamed up about 4 hours ago. I have some kimono silk, so I cut lengths, put one edge on the front, turned the remainder to the back and stitched... all this is raw edge...then I went around it again with floss, on the angle to make that scalloped edge. I have this stitch on my machine and have only ever used it on a sleeve edge. Do you like it?
I really look forward to and appreciate your comments.
Carole

Six Suns

Inuksuk has learned to juggle....sort of. I tried to use analogous colors that did not include yellow. I'm more comfortable in the warm colors. But, yellow sneaked in anyway, with the range from yellow through the greens to blue.
I'm afraid Inuksuk is becoming 'way too human, but it's fun to use the shape, anyway.

FFFC-29 Pipe Dreams

Every evening before going to sleep I spend a little time sketching in my sketchbook. It is relaxing for me. This sketch was chosen for this months challenge, because I thought it showed rhythm and movement. The size of the quilt is larger than I usually do, and so I have worked feverously to get this ready on time. It is still a work in progress, as more quilting needs to be done, borders and bling need to be added. It was nice to work in a larger format, but it is more demanding of one's time. This was a really fun challenge and it is great to see a sketch become a quilt. Any comments are greatly appreciated

Guardian

Reworked: I took some of the advice about making the baby look less like a packet of lunch. Because the baby was painted on pelmet weight vilene before being applied, it was difficult to work out how to add rockers seamlessly. However, I have painted lace onto the edges of the baby blanket. Perhaps that will do the trick.

Here is a detail shot. let me know what you think.

Original post:

Here is a dragon in the oriental style. I "saw" him in the anomalies of the hand-dyed fabric. However, trying to draw him free hand resulted in a rather odd shape. It is difficult to look at because it ISn't like what is in my head. So a goal this year is to work out how to draw dragons better. However, in a way it fits with some of the naive shapes of the dragon/lion sorts of monsters that are seen in oriental art.

As you can see the analogous colours are centred on green - yellow green - and even blue-green threads. The tension is created with the baby in the basket in front of the dragon. Will the baby be harmed? Or is the baby under the protection of the "monster"?

I used examples of stitching on "dragon coats" for the quilting patterns .

Second Spring_Rhoda

In the Chinese culture, phases of a woman's life are celebrated. Menopause is referred to as 'second spring', so my choice for this challenge. I chose the analogous colors of blue/blue violet. As I was working on the piece it was mentioned on the list that we could go further than just two colors beside each other, therefore I added some hues from violet,red/violet and red. The chinese lettering on the right is 'second spring'.
I choose the cool colors to suggest a calming period in a woman's life, the years of child bearing are over, chaos turns to calm. Less clutter, note her room is free of clutter, just a pot of lovely flowers :) And she now has time to tend to the flower box out the window. Perhaps we need to give in to this time of our lives and enjoy it more. Or is this just my fantasy! You can tell her age by the sagging breasts :0
The right side wall is a deep purple, however in the picture it almost looks black. I tried adjusting the color and got orange for the pinks...so finally left it as it is.
I definitely did this piece in Pamela Allen's style, with lot's of hand stitching.
I look forward to your critique.
Thanks for the challenge Ren, it was fun for me.

This was a great challenge! I chose to use the analogous color palette of yellow-orange, yellow, yellow-green and green, so I didn't really step outside my usual choices. (I really tried, but the sherbet-y orange and the green and orange print just kept jumping into the mix!) In the watercolor classes I take I have been experimenting w/ various forms of abstract so those efforts have bled over into my art quilts. After cutting the large sweeping green arcs, then finding the pale green and orange print, this piece practically finishes itself. I added a wider orange sherbet border and did the handwork only to decide to cut it down by 1 1/2". This came after following a long discussion on Quiltart regarding the use of borders on art quilts - yea or nay? So now that I have cut the border down to size, I am at a loss as to a finishing treatment and I turn to all of you - what now? I was thinking of just doing a satin stitch in orange, but somehow that doesn't seem right. What else should I consider?

Red Sky in Morning

This piece is made from 6 bird shapes from Jinny Beyers book on Tesselations. I lightly beaded some of the feather shapes on the wings. In looking for a background nothing but an opposite on the color wheel seemed to work for me - I suppose that is because This is the way i usually work. My biggest problem is never feeliing that the piece is complete but not knowing where to from here. Any and all suggestions are welcome and appreciated. Thank you ahead.
Pat Havey

BEAUTY AND THE BEAST

What a super challenge this was, Thanks Ren!

I loved the idea ofworking rhythm/motion; and tension/energy together.

I used Joen Wolframs 24 step color wheel to get my analogous color scheme. She states you can use 3 colors on either side of the chosen color for a total of 7. I used yellow, going to golden yellow, orange yellow, yellow orange on one side and chartreuse, yellow green, and spring green on the other side of yellow. I used both the true color and a light tint for each one...14 colors.

I used a diagram of a late stage prostate cancer cell found in Scientific American. It was black and white with the cancer shown in red. I think the structure of the diagram is beautiful and full of motion and energy.I used all hand dyed fabrics for the colors and holographic fabric for the cancer. The connecting lines are all stitched with matching rayon threads, and variegated metallic.

The beauty of the design is at odds with the beast within!

The quilt measures 31"x33"

Your comments are welcomed and appreciatedCherie

Magma in Motion

Magma in Motion
20 X 21

I had fun with this challenge and did as instructed. I went to my stash and picked out a crate of fabric. I should have picked blue as I have trouble using that color.

I had found an article by Karen Eckmeier on Free-Form Curves that had been set aside as "something to try someday". Since my goal was to show movement, I thought this a great technique to try. I had no preconceived idea of the finished product as I started cutting and piecing. I liked the way she had the curves going in several different directions.

My husband, who is a geologist, thought it looked like a magma flow. I think he has Hawaii on his brain as we are getting ready to escape the cold and darkness of an Alaskan winter.

My series is shapes/time but I didn't factor that into this project. The goal was to experiment. I did try some free motion quilting but my machine and I were not getting along at the time so I just did lines and varied the thread colors. I should have used more contrasting thread from the start as I like the effect. Every project is a learning experience, especially if one neglects to read all the directions.

Thank you to all you take the time to comment on all the quilts.

Pam

Your Rhythm, My Blues

17" x 21"

Although I hadn't planned to work in a series, this is another piece inspired by dealing with Alzheimer's disease. The first showed the sorrow and anger I've been living with while this piece is about adjusting to the rhythm and going with the flow.

I had the idea for this piece and had started working on it prior to seeing the challenge. I had decided to use analogous colors but the red-orange was an important part of what I was trying to say. So, of course, I added that complementary color and it popped. This piece is also irregularly shaped at the top and bottom in an attempt to show movement. I think it should have been more extreme since it mostly just looks as if I don't know how to square a quilt!

This is one of the few pieces I've done that popped into my mind fully formed. All I had to do was put the picture together - what fun! I hope it happens to me again one day because I usually have to work and work to develop my quilts.

As always, I appreciate your comments.

Challenge 26

Better late than never. I finally completed challenge 26. Continuing with my series of working from my watercolor paintings, I selected a bean pot/onion/spoon composition. I've posted both the watercolor and the fabric piece. Doing this in a monochromatic color scheme was a challenge because in the watercolor I can purples and blues to get the contrast.

Challenge 29

Challenge #29 – January 2009

Guest hostess: Ren Vasiliev

Working in Series: As desired

Color Concept: Analogous Colors

Composition concept: Rhythm/Movement or Tension/Energy

Ready for some fun stuff?! Get out that color wheel and your kinetic self and let's go somewhere interesting! This challenge uses analogous colors and the concepts of Rhythm/Movement and/or Tension/Energy.

Analogous colors are those three or four that are next to each other on the color wheel and their various shades and tones.

Rhythm/Movement refers to repeated elements going somewhere.

Tension/Energy can be developed through rhythm and movement, but can also be evoked through the use of foreground/background differences, or the interplay of positive and negative space, among other methods. Tension can give a sense of drama, anticipation, conflict, excitement, chaos or contradiction.

So go out there and have some fun. Don't think too hard, just pull out the stash and make it move!

Enjoy!
Ren

Inuksuk meets Snowlady

Inuksuk meets snowlady, and love blooms. The quilt is about 10" by 12 1/2."
I needed a hat for snowlady, and DH suggested Aretha's Hat, so I had to use it, after browsing the websites that show Aretha's hat on everybody and their dog.

Anticipation

I couldn't get to this for the actual challenge time due to upsets in life, but I have had the picture in my head since then.

This is a dragon egg about to hatch open. Bits of the shell have fallen to the sand. Drawn to the spot by the magic swirling through the air, The Finder waits in awe and wonder to see the newest dragon emerge from the shell.

The "egg fabric" is a wonderful blue/black white cracked patterned fabric I have. I love it so much I made a skirt from it! I cut open some of the white spaces and laid a bright hand-dyed yellow orange silk behind it. this is the zinger and also what causes the mood of anticipation. I coloured most of the other white spaces with a sharpie of the same colour. The swirly blue sky fabric shows the magic in the air. a little square of mottled brown fabric from a swatch was just enough for the sand. I tried to do a border, even putting one edge under the side of the egg on the left, but it was too blunt. So, I satin stitched with colours that blended with the sky and sand.

JUBILATION

I have finally finished and posted challenge #28, even BEFORE 29 is issued...LOL I will have to continue working with stitches in my finger due to infection. My advice is "DON'T SEW THROUGH YOUR FINGER"!

This quilt has been a challenge since the get-go. I drew my cartoon as soon as it was issued, chose and prepared the fabrics with stabilizer, and then had to make a trip to Utah. I was only one week behind when I got home, so I was furiously working on getting posted when I sewed clean through my pinkie halfway between base of nail and first joint. (well, maybe not so clean, as the needle shattered as I yanked my hand , ripping the flesh to the bone and leaving 3 sections of needle lodged in my finger...YOWZER!)

I really have loved this challenge though :-)

The floating diamonds (my series is 'shapes') feel like a happy, lazy day flying kites or something..."jubilation".

My zinger was to be the yellow running through one set of diamonds, but I honestly think the red seems more like a zinger. What do you think? Your comments and suggestions appreciated, as usual...

The quilt measures 27"x36"

Cherie

Zinger Quilt

I finally finished tonight after being snowed in from a fierce blizzard. I'd intended to actually finish a quilt and on time until my sewing machine went in for an extended tune-up and ended up staying because I couldn't get back to retrieve it due to weather conditions.
Birds have always been a favorite of mine but I've only used them in one previous quilt. The Black-capped Chickadee is my all time favorite so I chose to put him as the focal point on a cold winter day. I chose to use Bittersweet as the 'zinger' color. The branch the Chickadee is perched upon is a bit large and I tried to tone it down a bit with some fabric paint. I also used pen lines to delineate some of the feather lines on his tail and wings.

Jan Johnson

Succulent III

It was a difficult challenge for me. I like how the quilt came out, but I don’t think it fits the theme of the challenge well. How do you show emotions with succulents?

My first idea of flower stalks reaching upwards to depict joy was abandoned, since the only flowers blooming on my succulents right now seem to be the sorts that bend downwards. And the stalks all seem to be at awkward angles. I was having trouble getting a composition I liked. So I settled for leaves reaching upwards. Is it joyful? Maybe.

The original intent was to edge the larger leaves with bright red the way it is in my garden. It was to be my “zinger” color to fit the theme of the challenge. But now I think I should leave well enough alone. I don’t think it needs the red, and I’m afraid to overwork it now that it seems done.

The original photo was backlit with strong light along the edges of the back leaves. I may go back and soften some of the white edges and make the white blend into the green more.

Pine Grosbeaks

Still not finished but much further along. For some reason the photo that looked crisp on my computer now looks slightly out of focus here. Sorry about that! Pine Grosbeaks now measures 24" x 30" and I think I am ready to quilt it. As someone who has been a hand quilter most of my life, I am still totally intimidated when it comes time to sit at the machine and take those first quilting stitches. Any suggestions for quilting patterns would be gratefully considered. More than any other quilt I have done with this group, this one has been influenced by the comments and critiques of those who wrote. Thank you!

I really didn't think I would participate in the challenge this month. The main problem was that my husband and I were headed into Yellowstone over the holidays and would be gone for most of the week in which the challenge was to be done. But when I returned and found out the theme was "zingers", I knew I had to make a quilt portraying some of the pine grosbeaks we had seen on the trees while cross country skiing near Old Faithful. They are the perfect example of nature's zingers as they create bright spots of color on the otherwise monochromatic green of the pine trees. I am showing the center part of the quilt here. It currently measures 17" x 22" but I think I will add a zinger red piping and a wonky log cabin border in greens so it will get quite a bit bigger before I quilt it. The emotion evoked for me is one of peacefulness since it brings back a specific memory of a place and time.

"(Too Much) JUBILATION"

Well, this has proven to be a challenge quilt for sure! When the challenge was posted, my PC had been dead all week, so I got the instructions from my Sis, Pat Havey. I designed and sketched and picked fabrics...fused to interfacing for stabilizer...then on Sat.the 27th My DH brother was struck by a car and killed in SLC. So off to Utah for the next 10 days.

I was going great, quilting the diamonds when I had a stupid accident. I sewed clean through my pinkie finger (figure that one out!) shattering the needle and ripping the side of my finger wide open to the bone. Off to emergency to find in xray I had 3 pieces of the needle still in my finger, lodged against the bone. Two doctors scraping and hunting and 4 hours later, needle was removed and finger stitched. I was anxious to get home to see if I had ruined my quilt, but not one drop of blood got on it! (thank heaven, as the background is white dupioni silk).

The bad news is I knocked the shaft on my machine completely out of alignment and must take it for repair.Therefore...I am posting "(Too Much?) Jubilation"...as is, unfinished, and will re-post when I can. It measures 28"x37". My series is shapes, this time 'diamonds'.

I would love ideas for quilting the background as I haven't gotten that far and am not sure what to do . Comments and critiques gratefully accepted as usual:-)

Cherie

Augie and Max's new home: Family Connections

My Theme is Connections. This is called Family Connections: Sugie and Max's home.

I spent three weeks with Aguie (4) and Max (3) in their new home in Sunapee, New Hampshire. This is their new house. It was cold and snowy, hence the back and white pictorial with the zingers of colors suggesting the possibility of spring, summer and fall. You can see the boys peering out the windows.

Comments are really welcome.

Hope (5" x 8.5")

Better late than never. Still experimenting with machine quilting. New for me this time........fusible web! I enjoyed this process and will try more with the web. I still feel uneasy leaving the edges unsecured so I did some zig-zagging. I liked that process, too. I have a yen to do more word art pieces so I think that will be my series theme. All this is so out of my comfort zone....but in the end, it was fun.

"Trepidation" (20" x 38")

Challenge #28 yielded unexpected results. My first effort was to make a quilt depicting choppy water. Well, the curved piecing started looking more like mountains. So I decided mountains and layers of earth complete with fault lines would be the ticket. The fabric strips and embroidery stitches in orange are offered as the zinger. I'm interested in improving this piece, so I look forward to your suggestions.

People Series, challenge 28

Just adding a new photo. Punched up the color a bit with some ink pens I got Monday. I also touched up the book a bit. Added the title. What else would a Raven be reading but Poe. I also photographed it with no flash.

Quoth the Raven by Ann E. Ruthsdottir

I had a hard time understanding the color concepts for this challenge. Finally I just decided to do it; then learn from the comments. I got some inks for Christmas, so I was anxious to try them out.

My first idea was to do a portrait of my daughter, maybe 24x30. Luckily, someone on QA suggested doing Raven post cards. Much better to paint smaller, especially since I haven't a clue how to use these inks. I really wanted to paint with them. However they ran and bleed so I'm glad I decided to work small.

I ended up using some colored pencils to add darker colors. Although this is NOT strictly a 'people', I think this Raven has enough human characteristics to quality. I think the background is the zinger that lets the Raven capture the stage. Of course the orange form fitting leggings also might qualify. I realize the colors are NOT that of a real Raven, I just thought they were FUN. I view this as a cartoon, so it should look like fun. It is totally different from anything I have ever done before. That really excited me. I have a hard time drawing small [or actually working small at all], so I drew typing paper size then shrunk it down with a scanner I got from Freecycle. It was all fun except the binding. That took hours and is still lumpy.