Thursday, December 30, 2010

Untitled by Pat f in Winnipeg

Or maybe I should call it "More trouble Than it was Worth". When I first saw the challenge and looked at the references, I thought that it either had to be layered transparent fabrics or paint. Since I had no transparent fabric, I chose paint. This is a gelatin mono-print on polyester satin. I was given the satin and it's not something I would normally use. I used Seta-color for the printing. It was then FMQ'd and satin stitched around the edge. I actually love the print, and think that the satin is an effective background. Putting it through my machine was another issue--one that involved a hurried trip to the repair shop on the other side of the city. Considering that this is a holiday weekend, and he had no parts in stock, he was nice enough to lend me the part off one of his floor models. Whe-e-ew! I had visions of not being able to use my machine for a week or more, as it was my throat plate mechanism that fell into pieces--yes pieces. Anyway, it's finished and before deadline. Now I have to try to get it into the album.

10 comments:

  1. Kudos to you for seeing this one through! I like your use of a different technique to meet the challenge. This is very vibrant with a lot of energy, which to me also translates into tension. There is no definite background and the shapes are very organic and unidentifiable (is there such a word?). Sorry that it was such a trial for you!

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  2. I really like the green next to the red; the teal and cherry shades you mixed.
    Very pretty!

    I too had dismissed the idea of using transparent fabrics. I didn't have the colors needed but mostly because I lack the skill in making the stuff behave.

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  3. Hi Pat...good to see your work again! Love your piece. Interesting shapes, transparency and textures...great job!
    Cynthia

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  4. I like your colors and the transparency you created with the monoprint. Nice job.

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  5. Very interesting piece Pat, and good for you for staying with it!
    The piece demands a closer look the curve of the turquoise is .. well not focal... but inviting...

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  6. I guess I won't suggest more stitching. But I would suggest cropping the piece so there isn't a white border.

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  7. This is a wonderful print, very engaging. Good for you for working through this. That turquoise curve draws you right in and keeps you there - not unlike the color field artists. Great job responding to the challenge!

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  8. Hi Pat: I really like the texture you have achieved within each color. The close up kind of reminds me of catus trees. Great job. Veronica Von Zwehl

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  9. How something can have crispness and flow at the same time is beyond me...but that's what I feel about your piece. I guess the colors and overall shapes give a crisp element, while the actual techniqe gives you the flow of large brush strokes.

    You've achieved rhythm and balance. Wonderful piece overall. Good job!

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  10. Thanks for sharing your technique. Nice flow and very pleasing piece.

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