Showing posts with label Challenge 67. Show all posts
Showing posts with label Challenge 67. Show all posts

Thursday, May 10, 2012

Spiral Galaxy M101



Hi Everyone, I took the suggestion from several of you to capture my galaxy  pieces (from the previous challenge, Turner effect) by overlaying black netting.  I was surprised to note how little I lost in the white areas.  I learned from this.  Thank you!!!  So then I was able to quilt it, using silver metallic thread in a spiral design that followed the galaxy image itself.  Really fun.   Sandi Nehlsen-Cannarella.

Monday, April 23, 2012

Dawn on Sea - Silvia Dell'Aere

Hi :)
I've used this challenge as guideline to make my last piece. I've made it for my solo show I've had last week, and it's a piece that talks about my love for sea.

Measures: 86x39 inches
Technique: hand dyed cotton and machine quilting
Title: (the title is a short poetry I've written, I'll try to translate it for you in english)
A sea ​​stirs in me / foaming, flashing, / then comes the dawn

Full:

Details: waves on bottom left corner, sun rays in top right corner and 3 seagulls from top left to bottom right corners

Every comment's welcome :)

Friday, April 06, 2012

Untitled and unfinished

I have really struggled with this challenge. In the end, I decided that I would paint, and then quilt a seascape. The painting didn't go so well. My last attempt looked perfect while it was wet but faded into nothing as it dried. The sailboat was added in an effort to bring it to life. And then I realized that there is too much wind in the sails for such a quiet sea. Perhaps it's a ghost ship, and sails along without benefit of wind.

Certainly not one of my best efforts, but I plan to persevere with it and see what happens.

Pat F in Winnipeg
aka fndlmous

Monday, April 02, 2012

Sunrise at the Dock

20" x 19"

When looking at Turner's work, the first thing I thought of was using Angelina fiber, and it shows in the rising sun, the reflection in the water and the clouds in the sky. The dock is a wood-grain fabric in pink, and I put a couple crates on it, with some rocky fabric behind the boxes and across the channel. These were all a bit too dark for my liking, and I used decolorant to bleach them to a lighter shade, which gave the boxes a weathered look. I decided not to use the decolorant on the border pieces of the rocky fabric to pull that forward a bit.

The piece is mounted on foam core, and it was at the stage of sewing it down that I noticed the big box extends a bit beyond the dock!

Your comments are welcome!

Poppies in the Moonlight



Another challenge finished! I finished the quilting on this and it will be framed for my daughter. Only one more to go.
This piece began as fabric which I had ice dyed. In looking at it my eyes piced out the poppie shapes immediately and I decided to make them the focal point. I first stitched/quilted around them and the light green areas in the fabric. After that was done, I used fabric paint to highlight the shapes and to darken the blue areas so that the poppies and green areas would come forward. I am in the process of doing denser quilting in the blue areas and will add some beadwork when the quilting is complete. Then I will mount it on a canvas.

Louise Page

Sunday, April 01, 2012

nature at peace

When doing a general dying of some fabric one piece came out looking to me like a swamp so I decided to take advantage of it and make it into a wall quilt. With stitching, roving, rawedge applique, and decolorant for the birds I brought it to life. The sun shining through the trees is stitched in hologram thread and is very shiny but doesn't show in the photo.
This piece measures 36x42.

Pat Havey

Friday, March 30, 2012

Costa Rica Sunset by Cynthia Morgan


Here's my little study of light inspired by a photo of a sunset in Costa Rica

Spiral Galaxy M101


I have always been interested in space, so now with all the breathtaking photos coming from Hubble, I knew exactly what I wanted to portray in my challenge piece. I chose M101, one of my favorite galaxies, but creating it was another story! I chose a marbled cotton overlayed with a "party" organza to simulate stars in space. Then I layered several cutouts of dryer sheets to achieve the general outline and glowing center of light. These I "feathered" to soften the lines, and finally overlayed them with teased white fuzzy yarn. VOILA! However, I realized that there was no way for me to "use" it or quilt it. One sneeze and the galaxy would be gone. Overlaying tulle, white or darker, would spoil the effect, so I just took a picture of it as is. Anyone have a suggestion as to how I might preserve this? Comments and suggestions more than welcome. LOVED doing this challenge, Susan, thank you.

silk setting sun


Hand dyed silk, cut into small fragments and fused to create color gradations. The final measurement of this piece is only 6" x 8". After construction, I am not sure about adding stitching.
Great challenge. Comments welcome.

Monday, March 26, 2012

Maine Sunset


This is from a photo I took in Maine in late November. The sky was a translucent gold and gray. The actual quilt is gold metallic fabric, but will not translate in my picture...darn! The fabrics are all sheers, metallics, and lace netting with gold threads...no cotton in the whole piece. The trees are thread painted over antique gold metallic mesh.This was a wonderful challenge...finally got me out of my funk.

Thank you Susan for a thought provoking challenge!

Your comments are welcome!

Cherie

Golden Sunrise

Golden Sunrise, redone

Not happy with the quilted sky, I ripped it out.  I was not happy with it when done.  However, when someone commented on it, I knew I had to change it.  Now it is tied with gold metallic thread in a circular pattern around the sun.  I like this much better.  Luckily, I have an ergonomic seam ripper.  I've used it a lot.  However, ripping our clear poly thread is the most difficult.


Golden Sunrise
10" x 10"

This is my third try.  I was really happy with it before quilting.  I think the sun would have been better not quilted.  What I really enjoy about all of these challenges [besides the challeng] is looking at all of the wonderful art references.  I do remember a Turner titled 'Fire at Sea' or something resembling that.  I could not find it online, but it is still in my mind after 20+ years.  I think art is like that; it grips you and holds you.

Thursday, March 22, 2012

Challenge 67 - Turner's Light

Fast Friday Fabric Challenge #67                           Due:  3/31/2012
Turner’s Light                                                           Host: Susan Sleisinger

J.M.W.Turner's use of light and subtle color have fascinated me ever since I was a child and went on school holiday programmes at London's National and Tate galleries, so I chose him as the topic for this month's challenge.

John Mallford William Turner (1775-1851) was a romantic-era British painter known for his seascapes, and use of light as a dramatic element in his art.

Turner tended to use the sun or moon, his light source, as the centerpiece of his paintings and artistic language, and the paintings were developed around the light source. In his later works he often minimized the appearance of solid objects, using transparency, shimmering light and subtle colors to evoke a mood.  By the end of his life, his main artistic focus was the effect of light. He was a precursor to the Impressionists.  Monet is known to have studied his works.


The timing of this challenge is very auspicious for our British members as the National Gallery in London is holding an exhibition called Turner Inspired in the Light of Claude.  
In his twenties, Turner is reported to have seen Claude's "Seaport with the Embarkation of the Queen of Sheba" and burst into tears because he feared he could never paint anything like that picture.  Turner bequeathed much of his work and his sketchbook to Britain and insisted that two of his works be displayed alongside Claude's painting


Other examples of his works can be found by following the links at the end of http://www.artchive.com/artchive/T/turner.html and at http://tinyurl.com/83blec5

Contemporary artists influenced by Turner include Henrietta Stuart and Anne Stahl http://www.henriettastuart.com/     http://www.annestahl.com/paintings/

In the quilt world, Katie Pasquini sometimes uses his concept of transparency and light in works such as “Cheers" and "Friends"  http://www.katiepm.com/quiltsale.html

British Quilter Pauline Barnes occasionally shows his influence in works such as "Rainbow" "Chichen Itza", and "Silence is Golden” http://www.paulinebarnesquilts.co.uk/

Eileen Doughty has made use of different types of light to draw in the viewer in "You can see the Tree for the Forest" and "Welcome Communication http://tinyurl.com/7y572mu    http://tinyurl.com/7decwaz

Australian quilter Gloria Loughman also makes light integral in her quilt "Canopy".   http://www.glorialoughman.com/

This month's challenge is to create a somewhat abstract seascape or landscape featuring a prominent, visible light source, subtle coloring and "misty realism" such as those displayed in Turner's "Margate from the Sea,"  "The Evening Star", and "Snowstorm"  


Have fun playing with light now we are past the spring equinox.       Susan