Showing posts with label Sue Church. Show all posts
Showing posts with label Sue Church. Show all posts

Friday, March 30, 2012

silk setting sun


Hand dyed silk, cut into small fragments and fused to create color gradations. The final measurement of this piece is only 6" x 8". After construction, I am not sure about adding stitching.
Great challenge. Comments welcome.

Saturday, February 04, 2012

Make a Wish

Quickly done. Simple fused applique, minimal thread work, cheesecloth "seeds' and glue on a fabulous fabric by Elaine Quehl. Measures 10 1/4" X 9 1/2 "

The best childhood memories are outdoors.

Sunday, September 25, 2011

Birthday Butterfly

Size: 9" X 10" stretched over wooden frame

Painting "Fete Famillale- The Birthday Party" by John Singer Sargent www.johnsingersargent.org

This is an owl butterfly using fusible applique with the colors in this painting. Inktense pencils were used on the lower right and were much more vibrant than expected. I loved looking at paintings with "color" as my reference.

Thank you for this interesting challenge. Comments are welcome.

Saturday, September 03, 2011

Joyful. Joyful


My goal was to express "joy". I started with the warm colors, then found that I moved to bright, visual compliments and used circles (bubbles, droplets) which also "seemed" joyful to me. The edge is irregular finished by Terry Grant's method using perle cotton along the edge.
The cream is my design board behind my piece (probably black or grey would be a better background choice). This measures approx: 22" X 11.5".

Thank you for an inspiring challenge. Comments welcome.

Monday, August 01, 2011

Right Brain: Solitude

9" X 9"

Fused, minimally quilted

My solitude is a daily swim during which creative solutions emerge.

Great challenge

Late to the site, but completed on time
Thanks for your comments

Wednesday, June 01, 2011

"Retro Postcards and Dancing Poppy"







Since I wasn't happy with angular poppies, I made art deco postcards to answer this challenge.

My piece this week seemed to be art nouveau. It is 12" X 12". To accomplish the poppy cutout, I put my photograph into PS Elements and used the "stamp" effect (under dropdown filter: sketch), changed the texture using "conte crayon"(in the same drop down), printed out a black and white image to use as a pattern. The visual color compliments seemed to work best for the seed head, stylized leaves and lines. I heavily quilted all the background areas to make the poppy dimensional. Organza ribbon was fused as edging.

The best part of Fast Friday is the art education in each challenge. Thank you for another great one. Comments appreciated.

Saturday, April 30, 2011

Summer Heat

11" X 13"
The background image of a spring flower was blurred and printed to fabric, cut into 1/4 " strips and placed between analogous fabric strips. The foreground used
photographs printed on fabric and thread painted and thread outlines of coneflowers.
The background was too bright and busy to work with
my initial inspiration and concept derived from Andy Goldsworthy's work.
As a result, the finished quilt is far more representational.
The challenge and research links were great.

Thanks again. Your comments are appreciated.



Thursday, March 31, 2011

Paint Flight

12" X 12"

My inspiration was the dance of paint droplets as they are adding texture to a painting.
Using analogous and visual complimentary colors, the hands and brushes were fused onto a piece of silk that was painted using ink, water and salt. The edges were hastily zig zagged so this could be completed. This is not a great technique for silk, I discovered.
Thanks for another interesting challenge. Comments welcome.

Wednesday, December 29, 2010

Challenge 52: Passion/Heat


This is a small piece measuring only 5 1/2 X 10 1/2 inches. I began by layering different combinations and patterns of fabric dyes onto a variety of silk scraps to attempt to represent my understanding of color field (ie. I wanted smooth color transitions and a sense of glowing). Once I picked my favorite of the group, I wanted to continue the idea of smooth color transitions using thread painting over the dye base. However, to me, the dye transitions were more successful than the thread overlays, so I decided to leave the piece half thread and half dyes. Lastly, I decided to overlay the silk onto both a black and a white background fabric to try to further the idea of subtle color transitions. Thank you Betty. For me, this was a great challenge educationally and artistically. I appreciate your comments.
Sue in NC