



I too did what Cynthia told us-don't overthink and better done than perfect. It also helped that my sewing machine is broken, it was a lousy day Friday and Saturday, and my husband was busy yelling at the tax program on the computer. I walked by the calendar after reading the challenge and took the Feb photo from that to do my line drawing. Then I picked up the first picture book I found in the living room and found a photo of Seville with colors I liked. Figuring out tones and shades and tints took some experimentation and I'm still not sure if I got colors in all three. What is brown? From Cynthia's color samples, it could be a shade of orange or a tone of red. White was in the color photo, so I wanted to use it as a zinger but am ambivalent about it being too dominant. Anyway, the fabrics are fused onto muslin and will await finishing until my machine visits the repair shop on Tuesday.
Photos in order are: line drawing photo, color choice photo, colors choosen, and finished quilt.

After reading comments and looking at this quilt, I added more "mountains" and changed the white zingers to light yellow. The sky was quilted in an allover pattern. The mountains were quilted in straight lines with curvy lines added in mettalic gold thread for the dark mountain. I think the additional fabrics and shapes help give more interest to the piece and I now give it about a B+. This is a technique that I hope will lead to more abstract pieces than this one turned out to be. I enjoyed the challenge Cynthia.





















Rhoda's challenge made me scour my cabinets to see what kind of products I had bought. Dull beige and white adult cereal boxes weren't inspiring; the colorful oatmeal box (contrary to Rhoda's theory!) had too many primary colors in it;finally a box of Asia Specialties noodles with a sophisticated color scheme caught me eye, partly because the blue in there meant I could use the blue wine bottle that I've wanted to use in a quilt for a long time.

